Common worship lift
I - V - vi - IV
C: C - G - Am - F anthemic choruses and bridge buildsChurch music
Progressions and voicings that sit well under congregational singing, choir parts, and worship band textures.
I - V - vi - IV
C: C - G - Am - F anthemic choruses and bridge buildsvi - IV - I - V
C: Am - F - C - G quiet verses and prayerful underscoringI - vi - IV - V
C: C - Am - F - G traditional hymn endings and turnaroundsii - V - I
C: Dm - G - C cadences, tags, and passing motion| Pattern | Left Hand | Right Hand | Use |
|---|---|---|---|
| Triad foundation | 1-5-1 | 3-5-1 | major, minor, diminished, and augmented triads |
| Dominant support | 1-5-b7 | 3-5-1 | dominant seventh chords and strong cadences |
| Major and minor seventh color | 1-5-7 | 3-5-7 | major seventh and minor seventh voicings |
C Major selected
The same chord formulas can be moved through C, G, Am, and F for I-V-vi-IV practice. The voicing patterns above connect directly to Chapter 8 voicings.